July Horror 2019 Film/Story/Screenplay Winners

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festival posterI’M SORRY, 4min., USA, Horror/Found Footage

festival posterSLASHED!, 8min., UK, Horror/Comedy

festival posterTHE MONSTER, 11min., Horror/Thriller

ACTORFEATURE SCREENPLAY: NANUQ, by Jessi Thind
July 2019 Winner

ACTORHORROR 1st Scene SCREENPLAY: PEOPLE OF MERRITT, by Adam Pottle
July 2019 Winner

ACTORHORROR BEST SCENE SCREENPLAY: THE STAFFORD MULTIPLEX THEATER, by Billy Smith
July 2019 Winner

ACTORHORROR BEST SCENE SCREENPLAY: DELPHINE, by Bill Bradshaw
July 2019 Winner

ACTORHORROR BEST SCENE SCREENPLAY: THE MEAT EATERS, by Danny Howell
July 2019 Winner

festival posterTHE DUMPSTER ROOM, 11min., USA, Horror/Thriller

 

 

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Matthew Toffolo, Rachel Elder

Casting Director: Sean Ballantyne

Editors: Kimberly Villarruel, Kyle Drier, John Johnson

Festival Directors: Rachel Elder, Natasha Levy

Camera Operators: Denissa Palmer, Temitope Akinterinwa, Efren Zapata, Zack Arch

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Director Biography – Christopher Kadima (THE DUMPSTER ROOM)

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Born and raised in France, Christopher Kadima moved to the United State at 20 years old on a basketball scholarship. After a foot injury, he ended his basketball career and started to study film at the Brooklyn College Film Program in New York. Prior The Dumpster Room, he directed two short films, Demoniac, and Before The Fight

Director Statement

It was a really exciting experience to write and direct this film. We shot it over one night which is not a lot of time with a crew of four persons but we made the best out of it.

It is amazing all that can happen in one night, such as our location being surrounded by cops helicopter and cars as one of the neighbor called the police because they heard screaming in the garage during the scene where the lead actress gets attacked by the monster. Lucky enough their were cool cops and let us go on even tho the place was covered with fake blood!

It was a great learning experience. I’m really grateful to have had the chance to work with an awesome team, everyone was really involved in the project.
The most challenging part of making the film was the editing as my laptop kept crashing every 15min. But with a lot of patience and time the film finally came through.

I’m hoping to have the opportunity to show my film to some live audiences and get feed backs, good or bad. I think that it is one of the beauty of being a filmmaker is to see the reactions and comments of an audience.

Thank you for your time and consideration.

Christopher Kadima

Short Film: THE DUMPSTER ROOM, 11min., USA, Horror/Thriller

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Gabi, a college student discovers a dead body in her building garage. Scared and confused she decides to drive away from the building not knowing that she has already become a prey.

  • Film Type:
    Short
  • Runtime:
    10 minutes 50 seconds
  • Completion Date:
    October 22, 2018
  • Production Budget:
    1,200 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Film Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color

Director Biography – Gabriel Galand (I’M SORRY)

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Gabriel Galand is an award-winning writer/director from France with experience in commercial and narrative filmmaking in various countries, including the United Kingdom, South Korea, Switzerland and now Canada. Coming from a background of cinematography, Gabriel’s films mix different genres with cross cultural issues such as death, dealing with loss and other social subjects. After more than a hundred and forty selections in the festival circuit, Gabriel’s work landed distribution deals in North America, Europe and East Asia. Now pursuing a Master of Fine Arts in Film Production at the University of British Columbia, Gabriel is conducting research on the feature-length screenplay he’s currently developing.

 

Director Statement

 

Written by Aaron Gomez, and made in a day, the short is a visceral found-footage film which deals with filicide, which is to say, when parents murder their own children. On the one hand, it borrows from the found footage sub-genre with the grizzly confession of a guilt-ridden mother. On the other hand, it uses a kind of high-key investigative journalism style to project the alternate reality. As the film plays out, the audience must decide whether they believe in what she has to say or the alternate reality in which she is a cold-blooded murderer. The short is also our team’s first film made in North America and in English, but with hidden tones from a culturally diverse crew and cast, from Mexico and France to Colombia and Saudi Arabia.

What makes the project stand out is its VHS effect. The idea came in several stages. At first, we discussed with the writer the idea to set it in a different time, late 90s or early 00s. His script was already a found-footage and I noticed that there were no internet or smartphones so I thought that it was a good opportunity. Our budget was tight (1k) but the writer was adamant that he felt we shouldn’t need to show the actual camera in the film so pretending it was a VHS didn’t require extra production design so it was a good option. Last but not least, one of our producers, Fernando Flores, is an animator, and offered to work on FX for free and that was just too good an opportunity to pass!

Aside from its retro VHS aesthetic, the film benefits from its genre approach into the difficult subject that is filicide. Focusing on the grim reality of a mother confessing to having killed her only child, the narrative also offers a daunting prospect where the child returns to life to haunt her. With her child back and alive, and the community believing all is well, she must now face the consequence of her actions and this time decide whether to kill her son again. Finally, The film was made as part of our studies at VFS, the Vancouver Film School. Although the writer, animator and myself have made shorts before, the other two producers, Celia Villanueva and Adrian Valmonte are first time filmmakers and we are all eager to have the film selected and screened around the world!

Gabriel Galand
Director of I’m Sorry
http://www.gabrielgaland.com

Short Film: I’M SORRY, 4min., USA, Horror/Found Footage

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A guild-ridden mother makes a grisly confession following the unexpected return of her missing son.

I’m sorry deals with one basic premise; you can’t escape from the sins of the past. No matter how far you think you have run, or how good you think you have hide, they will always find you. In the film, Denise, a mother in the very merge of madness, makes a final confession in front of a camera. She is going to kill her son and then herself. What follows is a deep view into the mind of a paranoid woman, trying to make sense of the disappearance of her son. But when the police miraculously finds the boy and brings him home, Denise is certain that whatever they brought back to her, is not her son.

News & Reviews

April 2019 Film/Story/Screenplay Winners

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ACTORTHRILLER 1st Scene SCREENPLAY: KILLER KISSES, by S.D. Wheelr
April 2019 Winner

ACTOR1st Scene SCREENPLAY: ROSEMARY LANE, by Leal Butler
April 2019 Winner

ACTORBest Scene SCREENPLAY: THE SLAUGHTERCITY, by Hank Biro & Kai Biro
April 2019 Winner

 

****

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Kierston Drier, Shepsut Wilson
Casting Director: Sean Ballantyne
Editors: Kimberly Villarruel, Kyle Drier, John Johnson

Festival Directors: Mary Cox, Rachel Elder, Natasha Levy

Camera Operators: Hugh Fraser, Andy Camp, Aser Santos Jr., Zack Arch

December 2018 HORROR Stories, Screenplays, and Short Films

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ACTOR NOVEL Transcript Reading: THINGS THAT GO BUMP IN THE NIGHT
December 2018 Reading
by Wilson Jackson
STORYFEATURE Screenplay: WOMEN AND CHILDREN FIRST by Tara C. Hall
December 2018

STORYBEST scene Screenplay: THIS OLD HOUSE by Cody Baron
December 2018

 

 

 

**

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Kierston Drier, Shepsut Wilson
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel

Festival Directors: Mary Cox, Rachel Elder, Natasha Levy

Camera Operators: Hugh Ritchie, Isabal Cupryn, Aser Santos Jr., Zack Arch

Horror Festival Testimonial – December 31 2018

Matt Burkett
Matt Burkett

Really amazing that they provide videos of audience reactions to the films being shown. Very much appreciated it and it was an honor to be included!

5 Star Review

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WATCH Winning Horror Screenplay and Story Readings:

 

November 2018 HORROR Stories, Screenplays, and Short Films

You can also submit your film exclusively via Film Freeway: 

STORYHORROR BEST SCENE: Lightkeepers by Michael Head
November 2018

STORYHORROR BEST SCENE: The Cultists by John Renney
November 2018

STORYTHRILLER 1st Scene Reading: THE GIRL IN THE WELL by Richard Webb
November 2018

STORYHORROR 1st Scene Reading: PUNCTURED by Shari Hamrick Grewal
November 2018

STORYHORROR 1st Scene Reading: TIMMY COOKE: A CANNIBAL LOVE STORY by Aaron Barrocas
November 2018

festival posterGOLDBLOODED, 9min., USA, Action/Crime

festival posterINCALL, 10min., USA, Thriller

festival posterHOODYMAN, 6min., United Arab Emirates, Thriller

 

***

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Kierston Drier, Shepsut Wilson
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel

Festival Directors: Mary Cox, Rachel Elder, Natasha Levy

Camera Operators: Hugh Ritchie, Isabal Cupryn, Aser Santos Jr., Zack Arch