Director Biography – Mitchell Branget (DREAMER’S JOURNEY)

Mitchell Branget is a passionate, Canadian writer, director, special effects/makeup artist, and production designer. He is currently attending the University Windsor, studying for his Masters degree in film production. While at the university he has written and directed a number of award winning short films such as Die Kiste: The Crate, and Dreamer’s Journey and has worked as a special effects artist on over 17 films and has directing experiences ranging from shorts to commercial advertisements.

Director Statement

Dreamer’s Journey was the final ‘calling card’ film I had the privilege of creating during my undergrad at film school. Dreamer’s Journey was filmed in six days with a student level budget($3.5k CAD), as this film was originally created for a ‘Senior Project’ class I was registered in while finishing my undergrad in film school. This film is a true passion project in every sense of the word, and the phenomenal dedication from the cast & crew is captured in the very essence of this film. We hope you enjoy our madness,
thank you.


Feature Film Showcase. WINNER best FEATURE FILM for the 2021 HORROR UNDERGROUND Festival Season.

RED PILL, 87min., USA, Horror
Directed by Tonya Pinkins

Halloween weekend of the 2020 election, six old friends ride into red country armed with humor and naiveté.

When the meet an immovable force their plans are thwarted and their fight to win the election becomes a fight for their lives.

Six progressives, one deadly weekend.

Project Links


Best Thriller Short Film: THIS MODERN MAN IS BEAT
Best Performances: FIRST TIME
Best Cinematography: ….AND THEN THE DARKNESS

Theme of night: Exposing unfairness.

NOTE: Festival took place during the COVID-19 virus lockdown so all screenings were held in private.

Watch the Audience FEEDBACK Videos:

festival posterTHIS MODERN MAN IS BEAT, 17min., USA, Thriller

festival posterFIRST TIME, 3min., UK, Thriller

festival poster….AND THEN THE DARKNESS, 13min., USA, Thriller

festival posterNO TREATS, 1min., USA, Thriller

festival posterKOREATOWN GHOST STORY, 14min., USA, Thriller/Horror

festival posterTHE WILD WOMAN AND THE PAINTER, 14min., Fantasy/Thriller

The beginning of a (temporary) new era.

See you at the festivals. Whenever that happens!

– Matthew Toffolo

Director Biography – Minsun Park & Teddy Tenenbaum (KOREATOWN GHOST STORY)

Minsun Park & Teddy Tenenbaum are a writing/directing team with combined experience in features and television, including pilot sales, staff writing, feature spec sales, and feature and television assignments. They have written separately and together, and currently write both as a team and as solo writers. They specialize in genre writing, including horror, thriller, and action, typically with a humorous edge. With Minsun’s background as an Asian-American woman born in Korea and Teddy’s experience as a White dude from Ohio, they cover a lot of bases.

Director Statement

In addition to telling a story that is a metaphor for how new generations of Americans feel trapped between the cultures of their parents and that of America, our goal was to assemble a cast and crew that included both a majority of underrepresented minorities in the film industry, as well as women in most of the key production roles. Our cast and crew was 60% underrepresented minorities, 60% women, and 50% Asian-American.

Director Biography – Erin Whited-Ford (THE WILD WOMAN AND THE PAINTER)

Hailing from midwest WI, Erin currently lives and works in NYC where she spends most of her time watching movies and people. Erin met Sophie Mitchell while studying acting at the William Esper studio and the two quickly began developing the idea for The Wild Woman and the Painter. When she’s not working events, Erin makes films with her pals and tries to write screenplays for bigger, longer movies. Erin is currently a production and development assistant in NYC where she is learning the ins and outs of indie film development and production.

Sophie grew up in the countryside of Free Union, Virginia with her parents and younger brother Keenan. Though quiet growing up, Sophie was always interested in performing. At thirteen, she began singing alongside her mom in variety shows for nursing home patients and she and Keenan spent their summers making movies with a hand-me-down camera. After high school, she worked as a professional baker and had her screen debut as the werewolf Angela in the comedy “Faux Paws” before moving to New York City. In 2015, she graduated from The Esper Studio’s Acting program where she met fellow filmmaker Erin Whited-Ford. Sophie currently lives in Charlottesville, Virginia with her partner and their two cats where she continues to write screenplays, bake, and teach herself guitar and oil painting.

Director Statement

After meeting as actors and realizing that we had both recently escaped unhealthy relationships , we (Erin and Sophie) decided to read Dr. Clarissa Pinkola Estes’ book “Women Who Run with the Wolves,” a collection of myths and stories that dissect the female psyche at various life stages. The book became a tattered, dog eared bible of sorts and after realizing the parallels between our lives and the tale “Bluebeard,” which depicts a man consuming and destroying the lives of naive young women, we decided to write our own version of the story.

We began throwing around ideas for a film that illustrated the psychological experience of losing one’s soul fire, one’s wild woman, to this predatory like force.

In its early stages, the script had our heroine living with a physical and emotional abuser to visualize her loss of self power. As we evolved in our artistic lives and personal lives, we began to see our protagonist as not only a naive young lover but as an artist struggling with creative paralysis.
The predatory force morphed into the overbearing Demetri character whose insatiable ego and possessive tendencies cause submissiveness in our protagonist.

Through working on this project we have traversed the peaks and valleys of creative doubt and undeniable fulfillment, much like our Painter in the film. With this work, we hope to display the gifts one can uncover by listening to one’s deepest self , creating art from that place, then deciding who gives a f*** what happens after?