The commentary Romero provides in his Living Dead series is stuff worthy of academic study. In each of his films he tackles several issues relevant to the public during the era, and integrates them seamlessly enough into his films that the true fear factor can appear in many ways other than the shambling dead invading the city streets. In Dawn of the Dead, Romero’s second of the trilogy, he follows up his original masterpiece with an amazing sequel. He certainly does not disappoint, and created a classic that has survived the test of time.