Here They Grow Again: Celebrating 30 Years of Mogwais and Mischief in GREMLINS 2: THE NEW BATCH — Nightmare on Film Street

Terminator 2: Judgment Day. Star Wars: The Empire Strikes Back. Dawn of the Dead and Gremlins 2: The New Batch. All of these films have one thing in common; sequels that got it right. 2,547 more words via Here They Grow Again: Celebrating 30 Years of Mogwais and Mischief in GREMLINS 2: THE NEW BATCH —… Continue reading Here They Grow Again: Celebrating 30 Years of Mogwais and Mischief in GREMLINS 2: THE NEW BATCH — Nightmare on Film Street

[Will Mom Like This?] Navigating The Unbelievably Horny Horrors of HELLO MARY LOU: PROM NIGHT II …With Mom — Nightmare on Film Street

Welcome to Will Mom Like This? an exploration into the trials and tribulations of sharing your favorite scary movies with family. Sharing movies with loved ones is a beautiful thing. 1,651 more words via [Will Mom Like This?] Navigating The Unbelievably Horny Horrors of HELLO MARY LOU: PROM NIGHT II …With Mom — Nightmare on Film… Continue reading [Will Mom Like This?] Navigating The Unbelievably Horny Horrors of HELLO MARY LOU: PROM NIGHT II …With Mom — Nightmare on Film Street

Summer Solstice: The 10 Darkest Horror Films With Sunny Atmospheres — Nightmare on Film Street

We all know what goes bump in the night, but what kind of horrors blossom under a sunny sky? The horror genre finds a home in the spaces and corners of darkness, rightly preying on our fears of the unknown and the unseen. 1,794 more words via Summer Solstice: The 10 Darkest Horror Films With Sunny… Continue reading Summer Solstice: The 10 Darkest Horror Films With Sunny Atmospheres — Nightmare on Film Street

[Remake Redemption] There are Good Reasons to Fear THE STEPFATHER — Nightmare on Film Street

The best horror is grounded in something that’s ordinarily scary, and if you’re a young person that’s been through the experience of blending families, then you know that general fear of what it’s like when there’s a new parent in the picture. 1,133 more words via [Remake Redemption] There are Good Reasons to Fear THE STEPFATHER… Continue reading [Remake Redemption] There are Good Reasons to Fear THE STEPFATHER — Nightmare on Film Street

[Remake Redemption] There are Good Reasons to Fear THE STEPFATHER — Nightmare on Film Street

The best horror is grounded in something that’s ordinarily scary, and if you’re a young person that’s been through the experience of blending families, then you know that general fear of what it’s like when there’s a new parent in the picture. 1,133 more words via [Remake Redemption] There are Good Reasons to Fear THE STEPFATHER… Continue reading [Remake Redemption] There are Good Reasons to Fear THE STEPFATHER — Nightmare on Film Street

[Silver Screams] DR. JEKYLL AND MR. HYDE (1920) and Allegory Elevated by the Power of Performance — Nightmare on Film Street

Welcome to Silver Screams! Every month, I’ll guide you through a deep dive into a classic horror film or hidden gem and reveal the online and juicy behind the scenes secrets. 1,969 more words via [Silver Screams] DR. JEKYLL AND MR. HYDE (1920) and Allegory Elevated by the Power of Performance — Nightmare on Film Street

You Should Have Left Director Tried to Scare Kevin Bacon for Real, But It Backfired — PNN – Paper News Network

[ad_1] Kevin Bacon has a long and storied movie career, and he has worked in every genre of films imaginable. Particularly when it comes to horror, the actor has been a part of such standouts as Friday the 13th, Tremors, and Hollow Man. David Koepp is directing Bacon in their new horror-thriller You Should Have […]… Continue reading You Should Have Left Director Tried to Scare Kevin Bacon for Real, But It Backfired — PNN – Paper News Network

The Horror Genre: Catharsis Amid a Pandemic — Curiosity Shots

The Horror Genre: Catharsis Amid a Pandemic Horror films eternally offer a strange tonic of catharsis to us viewers. The freedom to purge our anxieties in a relatively secure environment – the movie theatre, our living room. As viewers, we scramble for tickets, shelling out obscene amounts. We make box office hits of the likes […]… Continue reading The Horror Genre: Catharsis Amid a Pandemic — Curiosity Shots

PRIDE 2020: Sensationalised lesbian figures of a distant landscape in ‘The Killing of Sister George’ (1968) — Flip Screen

Although the film may be viewed by some as inherently progressive by the very fact it’s plot centres around lesbians, Aldrich’s construction of them as absurdist figures should not be overlooked. via PRIDE 2020: Sensationalised lesbian figures of a distant landscape in ‘The Killing of Sister George’ (1968) — Flip Screen